Admiral Nelson

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Admiral Nelson

Portrait of Admiral Nelson shown in the uniform worn at the Battle of Trafalgar.

Portrait of Admiral Nelson by Chris Collingwood.

Signed limited edition of 1150 prints. Image size 17 inches x 25 inches (43cm x 64cm). Price £90.00


Limited edition of 50 artist proofs. Image size 17 inches x 25 inches (43cm x 64cm). Price £125.00


Limited edition of 50 giclee canvas prints. Image size 30 inches x 40 inches (76cm x 102cm). Price £690.00


Postcard size 6 inches x 4 inches (15cm x 10cm). Price £2.00

ITEM CODE DHM1316

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Chris Collingwood

Chris Collingwood

Chris has produced a wealth of impressive paintings from the Napoleonic War, American Civil War, English Civil War, and a variety of Portraits of Great Military Leaders, He also has produced superb paintings of Pirates, a particular favourite of his. Chris studied at Berkshire College of Art 1966 - 1970 and then worked for Halas and Batchelor as a background artist. In the golden age of book cover illustration Chris made the Gunslinger, Crow and Herne series his own. To this day the shelves of high street booksellers are full of his work. Perhaps his best known popular pieces are in the now famous Jorvik Centres paintings which form the focus of the exhibitions promotion and won a travel industry award. In recent years his best work has been paintings, such as SPQR, Anne Bonny, Mary Reid and Calico Jack Rakam and Blackbeard in Damnation Seize My Soul. His super realistic style, using oils, brilliantly reflects the techniques, passion and depth of the old masters. He has a particular love of portraiture, which his portraits of Wellington and William of Orange certainly reflect, along with others from the English Civil War, his love of the subject. He is also fascinated by the awful romance of weaponry and war. Chris uses traditional Dutch paints made today, as in 1664, and is meticulous in his research and attention to detail, so scarce in our modern throw away society. Sir Anthony Van Dyke, William Dobson, Sir Peter Lely and Fortunio Matania played a vital part in his formative years. He also is much influenced by Meissonier and De Neuville.

View the profile page of Chris Collingwood

Admiral Nelson - Battle

Battle of Trafalgar
Battle of Trafalgar

The morning of 21st October 1805 dawned clear, under a hazy sky, with a breeze from the west-north-west so light that the sea was scarcely ruffled. At ten to six on this beautiful autumn morning, Nelsons ships sighted the French and Spanish fleet against the dawn sky. The British ships, in line ahead, were sailing slowly north and rolling in a long Atlantic swell. There were 17,000 men in the British fleet and the vast majority were relieved, if apprehensive, that their long years of waiting were about to come to an end. With Nelson in command there was never the slightest doubt of victory, only of how extensive the victory might be. As soon as it was light enough for flags to be seen, Lord Nelson hoisted the first of his signals that morning: to prepare for battle, and then, in the words of the naval signal book, to bear up and sail large on the course set by the Admiral. The Victorys bow began to swing into the path of the rising sun and soon every ship in the English fleet was altering course towards the enemy. All sail was set, and as the morning advanced and the sun grew warmer, an air that was almost festive pervaded the fleet. From rime to time, the captains hailed each other with megaphones, and wished each other an enemy ship in tow before the night. Small boats were launched and rowed from ship to ship, for in this light wind the speed of the fleet was easily overtaken by a rowers pace. And down in the gloom of the gundecks men chalked defiant slogans on their guns. The French and Spanish did not sight the British fleet until six oclock, because the light was behind them. When they did, their feelings at the sight were different. The British felt they had caught their enemy, the French and the Spanish felt they had been caught. The British never doubted Nelson would lead them to victory, but a good many of the French and Spanish suspected their own admiral of cowardice, and only hoped at the best to save their own honour in defeat. They were willing to fight, but among those who were well informed, there was not much doubt of what the result would be if a battle began. The only doubt at dawn was whether the breeze would hold so that a battle would begin that day, and end before the night. At nine oclock the enemy fleet were five miles distant. Any sombre thoughts had been dispelled by the air of gaiety. The sun was well up and the sea sparkling.

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One of Europe's Leading Military and Aviation Artists, David Pentland has produced a wealth of Paintings for Cranston Fine arts, who are proud to have David as one of their leading Artists. As you browse down his wonderful work you may be interested to know that many of the Paintings are still available, and to a collector his work would certainly be a valuable addition. David's Paintings have gone up in value over the past 2 years, and have seen a growth in value of nearly 100%.

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