What's Artist's Proof

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What is an Artist's Proof?

At one time the artist's proofs were given to the artist usually as payment for the signing of the edition. The normal number of artist's proofs is 50. In some cases (usually prints purchased for stock from other publishers) it may be higher. The artist's proofs are signed by the artist and numbered showing the quantity of artists proofs available. Because of their restricted number artist's proofs are sold at a higher price. Nowadays, as the artists are paid a signing fee, the publisher keeps a percentage of the artist's proofs for resale.

It is considered, especially in the United States, when the edition is sold out and a secondary market value is realised, an artist's proof will go up in value at a greater percentage rate than the limited edition. Normally the artist's proofs are sold out well before the complete edition and a secondary market value for the artist's proof will begin to increase in value well before the edition is sold out.

We would like to stress that it is not guaranteed that the item will go up in value apart from inflation and if the item is being purchased purely for your own personal pleasure and not with a view to investment we would recommend the signed limited edition print.

Limited edition print:

An edition of identical prints, numbered sequentially and individually signed by the artist, having a stated limit to the number in the edition. The edition sizes of each art work varies dramatically, normally ranging from 750 to 1,150. These prints form the main part of the edition, the only others being the stated number of artist's proofs and occasionally an edition of Giclee canvas prints which are normally larger in size and are restricted to 50 copies or less. Following publication the printing plates are destroyed by Cranston Fine Arts and all major publishers we deal with. On some editions extra signatures of distinguished military aviation and naval personnel can be found. The existence of these signatures if available will be stated on our website text for the image.

Giclee Canvas Prints:

As part of a limited edition print there may be 50 giclee canvas prints available to learn more about these superb canvas prints click here.

Signed Edition:

Signed edition prints are sometimes available signed by the artist but not restricted by number printed. These can be found at a lower price normally around £50. Prints such as 'Bannockburn' by Mark Churms, 'Culloden The Aftermath' by Brian Wood and 'Operation Goodwood' by David Rowlands. These signed editions have been produced so that the artists receive an extra payment for the signature over and above the initial copyright arrangement.

 

 

SHOWCASE PRODUCT

EDITIONS

Signed limited edition of 500 prints. Price : £110

ARTIST
Nicolas Trudgian



Having graduated from art college, Nicolas Trudgian spent many years as a professional illustrator before turning to a career in fine art painting. His crisp style of realism, attention to detail, compositional skills and bright use of colours, immediately found favour with collectors and demand for his original work soared on both sides of the Atlantic. Today, more than a decade after becoming a fine art painter, Nicolas Trudgian is firmly established within a tiny, elite group of aviation artists whose works are genuinely collected world-wide. Over the past decade Nick has earned a special reputation for giving those who love his work much more than just aircraft in his paintings. He goes to enormous lengths with his backgrounds, filling them with interesting and accurate detail, all designed to help give the aircraft in his paintings a tremendous sense of location and purpose. His landscapes are quite breathtaking and his buildings demonstrate an uncanny knowledge of perspective but it is the hardware in his paintings which are most striking. Whether it is an aircraft, tank, petrol bowser, or tractor, Nick brings it to life with all the inordinate skill of a truly accomplished fine art painter. A prodigious researcher, Nick travels extensively in his constant quest for information and fresh ideas. He has visited India, China, South Africa, South America, the Caribbean and travels regularly to the United States and Canada. He likes nothing better than to be out and about with sketchbook at the ready and if there is an old steam train in the vicinity, well that's a bonus!

You can see more prints by Nicolas Trudgian by clicking here.

Back From Normandy by Nicolas Trudgian

Normandy Special - £50 off until July 12th!

Like the Messerschmitt 109, its great adversary throughout almost six years of aerial combat, the Spitfire was a fighter par excellence. Good as many other types may have been, these two aircraft became symbols of the two opposing air forces they represented. Their confrontation, which began in 1940 during the Battle of Britain, continued without interruption until the last days of World War Two. From an air force teetering on extinction in the dark days of 1940, by the summer of 1944 the pilots of RAF Fighter Command had fought their way back to become top dogs. And when the invasion of northern France came, they swept over the beaches in force, cutting deep into enemy occupied territory, hammering the enemy in the air and on the ground. Key to this air superiority was the supreme performance of the Spitfire, its ability to out-fly the Luftwaffes best, and the wily leadership of the pilots who had survived the early air battles of the war. Among the best was 26 year old Pete Brothers, by 1944 a highly successful and experienced fighter pilot commanding his own Wing. Having fought through the battles of France and Britain, now with a clutch of air victories to his credit, in 1944 he took command of first the Exeter Wing, and then the Culinhead Wing, ideally placed to support the coming invasion of Normandy. Nick Trudgians striking painting recreates a typical scene as Mk IX Spitfires of 126 Squadron, led by Wing Commander Pete Brothers flying his Mk V11 Spitfire wearing high altitude paint scheme, race back to base at RAF Culinhead after a low-level attack on enemy transport in Normandy. The Culinhead Spitfire Wing flew constant armed Rhubarb attacks in support of the invasion from D-Day - June 6 1944 - till the first improvised strips were established in France a few weeks following the invasion. This beautiful aviation print, contrasting the frenetic pace of war with a restful English coastal landscape, evokes the memory of a legendary fighter aircraft that, flown by gallant pilots, helped change the course of history. Prints are signed by Pete Brothers and two other pilots who flew Spitfires in combat during World War II.

Signed by Air Commodore Peter Brothers CBE, DSO, DFC* (deceased),
Lieutenant General Avi Baron M Donnet CVO DFC FRAeS
and
Squadron Leader Arthur Leigh DFC, DFM.

DETAIL IMAGES





EXTRAS

As a special treat for collectors of Nicolas Trudgian's work, and aviation art collectors in general, we have made this print available for a limited time - until 12th July - with £50 off the usual price.

You can see more great deals on Normandy related prints by clicking here.

Don't forget this print is signed by :
Air Commodore Peter Brothers CBE, DSO, DFC* (deceased),
Lieutenant General Avi Baron M Donnet CVO DFC FRAeS
and
Squadron Leader Arthur Leigh DFC, DFM.

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Pack 818. Pack of two Battle of Waterloo prints by Ernest Crofts.



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Contact: Tel: (+44) (0) 1436 820269.  Fax: (+44) (0) 1436 820473. Email:

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